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                    <text>������������������������������������������������������������������������������������������������������������������������������������������������������������������</text>
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                <text>نور الأندلس</text>
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                <text>Nooru al-Andalus </text>
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                <text>يرمي الريحاني في كتابه "نور الاندلس" تعريف القارئ العربي بجانب اخر من تاريخه. فبعد رحلة مع "ملوك العرب" الى "قلب العراق" و"قلب لبنان" من اجل صنع حالة من التألف والوحدة بين ابناء المشرق العربي والمغرب العربي، يحملنا الريحاني الى الاندلس، "فنطالع [في نور الاندلس] قصة الفنون والآداب العربية والإسبانية كما تلاقت وتلاحمت على الأرض الإسبانية". وتذكر المصادر ان السلطان المراكشي انذاك قد قلد الريحاني "وسام المعارف المغاربي" على اثر كتابته "المغرب الاقصى" و"نور الاندلس". </text>
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                <text>Rihani presents to Arabic readers another part of the Arab history. He takes readers to Andalusia, where he tells the history of Arabic and Spanish arts and literature, and how they met and united on the Spanish land. Sources indicate that the Moroccan Sultan granted Rihani a medal of honor for writing the books of Noor al-Andalus "The Illumination of Andalusia" and al-Maghrab al-Aqsa "The Far Morocco". </text>
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                <text>The donor retains full ownership of any copyright and rights currently controlled. Nonexclusive right to authorize uses of these materials for non-commercial research, scholarly, or other educational purposes are granted to Khayrallah Center pursuant to U.S. Copyright Law. Usage of the materials for these purposes must be fully credited with the source. The user assumes full responsibility for any use of the materials.</text>
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                <text>سجل التوبة</text>
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                <text>Sijel al-Tawba </text>
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                <text>"يحتوي كتاب «سِجِل التوبة» على خمس قصص ذات أبعاد اجتماعية وسياسية، تدور أحداثها حول محورين</text>
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                <text> المحور الأول: سياسي، ويتضح ذلك في قصة «شريف أفندي»</text>
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                <text> حيث نرى ضياع آماله في الإصلاح، وفي القصة الثانية يستعرض الريحاني بقاء الفوارق الاجتماعية حتى بعد الثورة، ويتجلى هذا في قصة «سجن عبد الحميد»، وأما في القصة الثالثة «بقضاء وقدر» فيتحايل حكام مدينة «بال» بالقضاء والقدر ليذيقوا أهلها الذل والهوان، لكنهم يذوقون نفس الكأس حينما تُحتل البلاد، وأما المحور الثاني: فهو أخلاقي، ويتمثل فيه الصراع بين الخير والشر في النفس الإنسانية</text>
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                <text> ذلك الصراع الذي وجدناه في «نبوخذ نصر» المنتقم الذي يترك حياة المُلْك ونعيمه إلى حياة التنسُّك والتعبد، وهو نفس ما فعله كلٌّ من «توفيق زيدون» و«لوسيل» و«بتروكنتي» في «إكليل العار» حينما تركوا الآثام وراء ظهورهم وندموا على ما فعلوا."</text>
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                <text>"The book contains five short stories that teach social and political lessons. These stories and lessons fall into two perceptions: Political as in the stories of "Sherif Efendi*" where [Sherif] loses hopes of any reform, and "The Prison of Abdulhamid" where Rihani refers to the existing social differences inside a prison, even after the revolution, and the third story of "Force Majoure/Acts of God" where the leaders/rulers of (Bal) city use this conception/pretext to practice injustice against the people of the city, but these leaders would experience the same injustice when the city is taken over. The second perception is Ethical/Moralistic. This is represented in the conflict between good and evil in the human nature, as in the story of "Nebuchadnezzar" the revenger who quit the life of a King to that of devotion". (This is a printed rare book as the original manuscript is missing)
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                <text>Rihani2018AR57</text>
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                <text>زنبقة الغور</text>
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                <text>The Lily of the Ghor </text>
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                <text>"تميَّزت [رواية الريحاني] بتشابك الأحداث، وتعقُّدها واتساعها</text>
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                <text> فأحداثها الكثيرة لم تقتصر على بلدٍ واحدٍ، بل كان مسرحها العالم الأوسع [...] هيكل الرواية فهو أحداث مأساويَّة ناتجة عن استسلام المرأة للرجل بدون زواج، وغدر الرجل بها، ثم تشرد المرأة وطفلتها في أنحاء الأرض. وكذلك طفل ابنتها الذي جاء هو أيضًا نتيجة غدر رجل، وتجسِّد الرواية أبعادًا اجتماعيَّةً جوهريَّةً في الزمن الذي كتبت فيه" </text>
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                <text>Rihani's novel presents what is considered to be one of the most critical social issues at that time: a man, a woman then a child, and no marriage. It is a social tragedy that goes beyond one place or one person. The novel discusses the tragedy of a woman who surrenders to a man's desire without marriage, and the betrayal of the man. The woman holds her child and goes from one place to another. The tragedy repeats itself, when the child carries the same fate of her mother, and bears her own child without marriage as well. </text>
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                <text>Moise A. Khayrallah Center for Lebanese Diaspora Studies</text>
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                <text>A letter from Shebil (surname illegible) to Ameen Rihani, undated. Shebil informs Rihani about his new work, a poem, on the "the history of freedom/liberty from English revolution [...] to the fall of the Second French Empire", and it will be in Arabic. </text>
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                <text>The donor retains full ownership of any copyright and rights currently controlled. Nonexclusive right to authorize uses of these materials for non-commercial research, scholarly, or other educational purposes are granted to Khayrallah Center pursuant to U.S. Copyright Law. Usage of the materials for these purposes must be fully credited with the source. The user assumes full responsibility for any use of the materials.</text>
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                <text>رسالة من الخوري بولس الى امين الريحاني بتاريخ 8 ايلول 1909. فيها يدعو الخوري الريحاني الى زحلة من اجل الحضور وتقديم خطبة في حفلة ستقام بالتزامن مع "وجود المعرض الوطني في زحلة". محور الحفلة "النهضة الادبية في زحلة". اسماء الخطباء الذين ذكروا في الرسالة: جميل بك، السيدة لبيبة هاشم، والانسات ماري عجمي، وسلوى سلامة واسمى سبور، ونجيبة شبل عيسى الخوري، والسادة عيسى اسكندر المعلوف، وعبد الله ابي خاطر، ويوسف البردويل ويوسف البريدي. وطلب الخوري من الريحاني اختيار موضوع خطبته او ان اراد تكون حول "زحلة المستقبلية". ونوه عن كاتب الرسالة حليم ابراهيم دموس. 

* الرسالة الثانية حول الموضوع ذاته كانت بتاريخ 17 ايلول 1909، ملف رقم AR56_01_073 وAR56_01_074 وR56_01_075 (الخلية 33) وفيها يشكر الخوري الريحاني لقبول الدعوة.</text>
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                <text>A letter from Khouri Bolus to Ameen Rihani, dated September 8, 1909. Khouri invites Rihani to attend a gathering in Zahle to present a speech where the National Exhibit in Zahle takes place. The focus on party is "literature development in Zahle". Names of speakers mentioned in the letter: Jameel Bey (not a speaker)</text>
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                <text> Mrs. Labeeba Hashim</text>
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                <text> Mss. Mary Ajami, Salwa Selameh, Asma Sepor, and Najeeba Shebil Eissa alKhouri</text>
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                <text> Messrs. Eissa Eskander alMalouf, Abdullah Abi Khater, Youssef alBardaweel, and Youssef alBredie. Khouri asked Rihani to select a topic to speak about, or if not the speech could be about "future of Zahle". A note at the end says, the writer of the letter is Haleem Ibraheem Dammous.</text>
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