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                    <text>From Pageant Queen to U.N.
Worker: The Rosemary Hakim
Collection
April 22, 2015 Matthew Jaber Stiffler and Elyssa Bisoski 4-min. read
This article is written by Matthew Jaber Stiffler and Elyssa Bisoski of the Arab American
National Museum, first museum in the world devoted to Arab American history and culture.
AANM is located in Dearborn, Michigan.
The Arab American National Museum (AANM) was built to share the stories of our community.
Our walls are lined with family photos and stories of immigration, entrepreneurship, and cultural
celebration. Our exhibits honor both the well known stories and the hidden gems of the Arab
American experience throughout the last 130+ years. Our library and archival collections also
preserve thousands more stories in the form of books, personal papers, and photographs.
One of the most compelling stories in our archival collections tells the story of Rosemary Hakim.
The daughter of Lebanese Catholic immigrants, Rosemary was the winner of the first “Miss
Lebanon America” pageant in 1954. Her newfound fame earned her a months-long trip to
Lebanon as an official guest of the Lebanese government, serving as a cultural ambassador from
the Arab American community. Her visit was featured in more than a dozen French, Arabic, and
English publications at home and abroad. Her visibility and comfort in the spotlight, as well her
ethnic background, landed her a vital role in the Arab States Delegation Office at the United
Nations in the 1950s.
Through her position as a clerk, she was privy to and worked diligently on some of the most
important developments in the Arab world in the twentieth century, including the Algerian
revolution, the Yemeni struggle against British colonialism, and the Suez crisis. In her personal
life, she was briefly involved romantically with Prince Fahad al-Sudairi of the Saudi royal family,
and their relationship is documented in photographs and letters. She chronicled her life through
written notes, journals, her unfinished memoir, and photo albums. After her tenure at the United
Nations, she returned to Michigan where she would live the remainder of her life. The Rosemary
Hakim collection at the AANM highlights the important work performed by the Arab States
Delegation Office in the 1950s, as well as showcases the social aspects of the organization. While
Ms. Hakim did collect and preserve internal documents, the collection sheds more light on the
galas, dinners, “U.N. beach parties,” and other social functions, as well as the interpersonal

�relationships between Ms. Hakim and her fellow U.N. employees and the diplomats and
dignitaries from all over the Arab world, such as Algerian revolutionary Mohammad Yazid.

The hundreds of photos, letters, books, and Christmas cards that Ms. Hakim gathered during her
two-year tenure at the United Nations, illuminates how these Arabs and Arab Americans found
time to unwind during the tense era of the Suez Canal crisis and the numerous anti-colonial
revolutions of the Arab world. In addition to her collected items, which include personal letters
and notes from numerous Arab world leaders and dignitaries, the most illuminating item in the
collection is Ms. Hakim’s unpublished memoirs, which offer a fascinating glimpse into her unique
Lebanese American experience. Titled “Arabian Antipodes,” the first chapters of the memoirs
describe her trip to Lebanon in great detail. She discusses meeting Lebanese relatives for the
first time, making official appearances as Miss Lebanon America, and going out on the town with
cousins and new friends.

The second half revolves around her life in New York City and particularly her relationship with
Prince Fahad. Her description of their relationship exemplifies both the differences and
similarities among Arabs and Arab Americans. Although Prince Fahad and Ms. Hakim both

�identified as Arab, ultimately the differences between a Muslim Saudi Arabian prince and an
American Catholic daughter of Lebanese immigrants doomed their relationship from the start.
Both enjoyed eating Arabic food, listening to Arabic music, and discussing the current events of
the Arab World. However, they different greatly in religion, and their class differences alone
meant a marriage was unlikely. Additionally, their differing expectations of the role of women
played a major role in the end of their relationship. Although Prince Fahad was happy to spend
time with the independent Ms. Hakim while in the U.S., he made it clear that whomever he
married would be expected to follow Saudi customs for women, which Rosemary understood as
wearing a veil and rarely leaving home. Ms. Hakim, whose Lebanese-American upbringing had no
such role for women, was unwilling to take on that Saudi tradition.
The memoirs are available in their entirety on the AANM Collections Online website, along with
many of the photographs found in the collection. AANM Collections Online is a part of a new
digitization initiative at the AANM, in which we are making previously hidden collections
available to the public via the web. Due to her fascinating story, the Rosemary Hakim Collection
was chosen to be one of the first five collections to be featured on the website. The collection is
still in the process of digitization, and will continue to grow as more items are digitized. The
AANM plans to eventually make the full collection available in digital form, as well as the
collections of other Arab Americans whose captivating stories are hidden in our archives.

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                <text>A post originally published to the Khayrallah Center's blog authored by Matthew Jaber Stiffler and Elyssa Bisoski. The post is titled "From Pageant Queen to U.N. Worker: The Rosemary Hakim Collection", and was published on April 22, 2015.</text>
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