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                    <text>13

The Altanwnt Enterprise -Thunda:y, June 3, 1993-

The LIVING Enterprise
Dances of the Middle East unveiled by Yallah ensemble
By Kate Cohen
ALBANY - To most Americans, the cultural heritage of the
Middle East is as hidden from
view as the women who live
there. We know little more of the
region tharr what we read of political conflict, oil negotiations,
and terrorism. '
But to the Yallah Dance
Ensemble, the Middle East is rich
with history and culture, traditions and innovations, music and
dance.
Caravari_s and Desert Sands,
playing this Saturday at eba
Theater in Albany, will showcase the cultural weal th of the
countries that border the
Mediterranean. Earlier that day,
Yallah will offer a workshop to
teach two middle eastern dances
to the public.
For the most part, Yallah will
perform traditional folk dances
Saturday night, but they will
also perform a "cabaret" style
dance - what Americans refer
to as belly-dancing.
, The featured performer for
this dance is Zayda, a dancer
and instructor from Palm
Springs, Florida. She and Yallah
Dance Ensemble .have had a
long working relationship; they
offer educational programs in
Florida and New York State.
The ensemble, "a group of local artists who present ethnic

Caravans and Desert Sands conjure up the sights and sounds of
the Middle East. So do the dances of the Yallah Dance Ensemble,
which originate in the folk traditions of Egypt, Turkey, Greece,
Morocco, Syria and Israel. The ensemble will offer a workshop and
a performance Saturday at eba Dance Theater.

Big event gets bigger at millennium
By Bryce ButJer
VOORHEESVILLE - The
Memorial celebration here, always a big event, became even
bigger this year in keeping with
the village's Small Town in the
Millennium festival.
"We had five floats, six fire
companies and about 20 other
organizations," said . parade
chairman Mike Martin, first
vice commander of Voorheesville Post 1493, American Legion. Martin said the parade was
the largest in the past seven or
eight years, at least.

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In ke~ping with the Small
Town theme, the focus of
speeches was volunteering.
New Scotland Supervisor Herbert W. Reilly Jr., who gave the
main speech, encouraged more
people to take part in public activities.
"The· enjoyment and community that we will enjoy today
are the result of the efforts of far
too few people," he said. "Our
Legion, our Elks, our Kiwanis,
PTAs and churches are starved
for _new recruits · and fresh
ideas."
He finished by adapting John
Donne's No Man is an Island to
the local scene. "No man is an
island .... " he read. "No reside nt of Voorheesville, New
Salem, Clarksville or Feura
Bush is an island unto himself," he said.
"And there never ask to know
for whom the bell tolls," he read,
quoting Donne's most famous
line, "It tolls for thee."
"So when the firebell, or the
ambulance beeper, or some
other summons to volunteers
goes off," Reilly said, "Never
ask to know who is called to
participate in your community;
it is calling you."

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:

Winners
F ollowi ng the parade, winners in the parade divisions
were announced:
B est youth u nit: The Voorheesville Elemen tary School
kindergarten class.
Best marching band: The
Voorheesvill e H igh School
band.
Best float: The Maple Avenue
Cultural Society.
Best men's marching unit:
New Salem Fire Company.
Best women's marching unit:
Altamont Fire Department
Auxiliary.
Best color guard: Vietnam
Era Veterans of Northeast New
York.
Two foot-races and a 25-mile
bike ride followed the ceremonies. The noncompetitive
Tour de Tro.op, .as Boy Scout
Troop 73 called its bike ride,
attracted around 50 riders.
The 15-kilometer race was
won for the first time by a runner in the Masters Division, for
men over 40 : Vinny Reda of
Oxford Heights, McKownville,
came over the finish line in
52:09. The first woman was
Nancy Egerton of Guilderland,
who finished in 59:50 - an excellent time for a woman, according to Reilly. A runner
himself, Reilly is in charge of
the annual races.
The first village resident
across the line was Jeff Cole of
Maple Avenue, who finished
eighth in 57:51.
_
The oldest veteran to finish
was Mike Bartholomew of
Slingerlands, 69 . He won th~
John Fredette Memorial trophy,
named after a deceased
Voorheesville High School student.
Dave Garner, 18, of Colliersville (Otsego Co.) was first
in the 3.2km race, finishing in
9:41. The first woman, Judy
Swasey of Slingerlands, finished in 14:20. The first walker
to finish was Mary McCarty of
Voorheesville.

dances of the Middle East," organized in 1978, according to
Susan Polhemus, the group's
artistic director. Though they
are of varied ethnic backgrounds themselves - African,
Lebanese, Armenian, Romanian,
and Russian, among others ensemble members chose the
dances of the Middle East simply
because they "love the music
and the dances," said Polhemus.
The dances they have studied
and performed come from
Egypt, Turkey,
Greece,
Morocco, Syria and Israel. The
dances are different from one
another, said Polhemus, but they
influence one another and share
common traits. Middle Eastern
dances, for example, tend to emphasize the torso - from the
shoulder to the hips. Zayda will
also be performing a flamenco
dance from Spain, which,
though it has links with Middle
Eastern dances, emphasizes
footwork instead.
Polhemus said Middle Eastern
dances are fairly easy for Americans to learn; unlike ballet, she
said, those dances are extensions
of the "natural movement of a
person." The movements are
generally the same for men and
women alike, she said, but
"unfortunately, men in this
country don't dance."
In Middle Eastern countries,
said Polhemus, it's actually more
socially acceptable for men to
dance than for women, who

dance only in private or professionally.
Both men and women are invited to the 10 a.m. to 3 p:m.
workshop, where- they will be
taught the Cane Dance and a
Pharonic-style dance. The Cane
Dance originated in Upper
Egypt, where canes used to be
used for walking and ploughing.
Male cane dancers imitate combat and fighting movements,
whereas female cane dancers
use softer, more flirtatious
movements, said Polhemus.
The Pharonic dance was
choreographed by Zayda, using
studies of the hieroglyphics
found in the tombs of pharoahs.
Would-be dancers can sign up
the morning of the workshop,
and can wear anything as long
as it's comfortable and loose-fitting. Polhemus suggests that
they also bring a sash or a hipscarf, and a cane, if possible. But
come, she said, even "if you have
no dancing experience and you
don't own a cane."
Registration for the workshop
begins at 9:30 a.m. on June 5 at
eba Theater, 351 Hudson Ave.,
Albany; the workshop begifis at
10 and ends at 3 p. m. The fee is
$30 - or $25 in advance. Call
Polhemus at 489-4594 for more
information. Caravans and
Desert Sands will be performed
at 8:30 p.m. that night, also at eba
Theater. Admission is $8. Both
workshop and performance will
benefit the eba Center for Dance
and Movement.

A\1r1r1E~1r 11 ,o~
1

American Legion Helderberg Post 977

~

J~

AMEi:;~:~:;eii_AGS

.

(Unserviceable)
For proper disposal of flags, drop flags off at
the Post or Gaige's Altamont Paint Store

prior to 14 June 93

O)f~.1~
TIie BnteijiiN
Call 861-6641 for a convenient appointment.

~q~
~

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~

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~l7/~

~~

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0 Professional Riding Masters
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0 Two riding rings and two
instructors per class
0 Low student-to-instructor
ratio of only 3 or 4 to 1

O Horse Science classes with
booklet and videotapes
O Crossties Clinic and
Guest Speakers
O Facility improvements to
maintain safety and
expertise

Our gentle, schooled horses create
a bonding environment with your child.
The perfect program for show preparation.

CLASSES BEGIN
July S!
(Enrollment is limited)

Call for details:

456-6929
Veeder Rd. • Guilderland

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CHOR5t. S

Serving Equestrian
Students for Over 45 Years

�</text>
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                <text>The donor retains full ownership of any copyright and rights currently controlled. Nonexclusive right to authorize uses of these materials for non-commercial research, scholarly, or other educational purposes are granted to Khayrallah Center pursuant to U.S. Copyright Law. Usage of the materials for these purposes must be fully credited with the source. The user assumes full responsibility for any use of the materials.</text>
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                    <text>The Altamonl Enhrprise - Thursday, June 3, 1993

13

Dances of the Middle East unveiled by Yallah ensemble
By Kate Cohen
ALBANY - To most Americans, the cultural heritage of the
Middle East is as hidden from
view as the women who live
there. We know little more of the
region than what we read of political conflict, oil negotiations,
and terrorism.
But to the Yallah Dance
Ensemb]e, the Middle East is rich
with history and culture , traditions and innovations, music and
dance .
Caravans and Desert Sands,
playing this Saturday at eba
Theater in Albany, wi11 showcase the cu1tura1 wealth of the
countries that border the
Mediterranean. Earlier that day,
Ynllah will offer a workshop to
teach two middle eastern dances
to the public.
For the most part, Yallah will
perform traditional folk dances
Saturday night, but they will
also perform a cabaret" style
dance - what Americans refer
to as belly-dancing.
The featured performer for
this dance is Zayda, a dancer
and instructor from Palm
Springs, Florida. She and Yallah
Dance Ensemble have had a
long working relationship; they
offer educational programs in
Florida and New York State.
The ensemble, "a group of local artists who present eth_nic

r:

·i '

'

11

JB •

Caravans and Desert Sands conjure up the...sights and sounds of
the Middle East. So do the dances of the Yallah Dance Ensemble,
which originate in the folk traditions of Egypt, Turkey, Greece, _
Morocco, Syria and Israel. The ensemble will offer a workshop and
a performance Saturday at eba Dance Theater.

•

dances of the Middle East," organized in 1978, according to
Susan Polhemus, the group's
artistic director . Though they
are of varied ethnic backgrounds themselves - African,
Lebanese, Armenian, Romanian,
and Russian, among others ensemble members chose the
dances of the Middle East simply
because they •1ove the music
and the dances," said Polhemus.
The dances they have studied
a nd performed come from
Eg yp t ,
Turkey ,
Greece ,
Morocco, Syria and Israel. The
dan ces are different from one
another, said Polhemus, but they
influence one another and share
common traits. Middle Eastern
dances, for example, tend to emphasize the torso _ from the
shoulder to the hips. Zayda will
also be performing a flamenco
dance from Spain, which,
though it has links with Middle
Eastern dances, emphasizes
footwork instead.
Polhemus said Middle Eastern
dances are fairly easy for Arnericans to learn; unlike ballet, she
said, those dances are extensions
of the "natural movement of a
person." The movements are
generally the same for men and
women alike, she said, but
"unfortunately, men in this
country don't dance."
In Middle Eastern countries,
said Polhemus, it's actually more

,_-~!B~~!~~ ~ ~~k~~~!~~ S~a! ~i,~!~W~~i-~~-- .~°:~~~lyt~;~epf:bl~~~=~=-

dance only in private or professionally.
Both men and women are invited to the 10 a.m. to 3 p.m .
workshop, where they will be
taught the Cane Dance and a
Pharonic-styl~ dance. The Cane
Dance originated in Upper
Egypt, wher~ canes used to -. be
used for walking and plougrung .
Male cane dancers imitate com·bat and fighting movements,
whereas female cane dance.rs
use Bofter, more flirtatiou s
movements, said Polhemus. ·
The Pharonic dance was
choreographed by Zayda, using
studies of tbe hieroglyphics
found in the tombs of pharoahs.
Would-be dancen can sign up
the morning of the workshop,
and can wear-anythlng as long
as it's comfortable and loose-fitting. Polhemus suggests that
they also bring a sash or a hipscarf, and a cane, if possible. But
come, she said, even •if you have
no dancing experience and you
don't own a cane."
Registratio; for the workshop
begins at 9:30 a.m.. on June 5 at
eba Theater, 351 Hudson Ave.,
Afbany; the worluhop begins at
10 and ends at 3 p.m. The fee i"
$30 _ or $25 in advance. Call
Polhemus at 489-4594 for mo~
information. Caravans and
Desert Sands will~ perfo~d
at 8:30 p.m. that night, also at eba
Theater. Admi1Jsion u $8. Both
will

worlr.ahop and performanu
·=d~:::::i_center ~r Done;

�Yallah/page 2

Contact: Saja (Susan Polhemus)
(518) 489-4594

Yallah' s

dances

stress

communal

folk

dance

forms

and use

movements which were developed from the natural expressions of the

The Yallah Dance Ense~le presents

people of the Near East.

Sheherezade

The troupe has received funds from the

NYS Council for the Arts, and performs in colleges and schools, on

First Night - December 31, 1992

educational television, at international bazaars, and for countless

at the eba Center for Dance and Movement, 351 Hudson Avenue

other events and occasions.

8:30 p.m. - 9:30 p.m. - 10:30 p.m.

The

lead dancers and choreographers are Saja,

Selima,

and

Habiba, who are appearing in their fifth First Night performance.
The
Eastern

Yallah Dance
Dance

Ensemble

in America with

marks

the

centennial

of Middle

its First Night presentation of

Appearing for their first First Night are Yallah dancers Lorana
Bint Warda and Nisreen.

"Sheherezade" at the eba Center for Dance and Movement (351 Hudson
Avenue) .

Through dance,

enable the public to experience rhythms, movements, and costumes

This program presents the finest Middle Eastern entertainment
precisely tuned to create an atmosphere of storybook charm.

The

through

cannot

Those moments

be conveyed through words.

of pure

ecstasy when the dance, the music, and the audience are united are
priceless.

the Capital District,

consists of several artists who take time

· active
·
from their
_careers to enri' ch the cultural resources in ·the
Albany area by presenting ethnic dances from the Near East.
1978,

through

individuals

in

their

performances,

exploring

the

they

artistic

have

side

of

interested
their

Since
many

national

heritage, often thought of as the "soul" of society.

tapestry

of

dances

in

styles

which · originated

in

Members of the troupe have studied in Egypt and Morocco, and
performed up

and down

the

East

Coast.

Yallah Dance Ensembl~

performances encompass dance, rhythms, performance, and folk arts,
with

The Yallah Dance Ensemble, now entering its fifteenth year in

its

v i llages along the Nile and throughout the Middle East.

music and the dance have a powerful and emotional focus of ene r gy
that

the Yallah Dance Ensemble's performance will

an

emphasis

on

understanding

the

roots

and

meanings . o~

artistic expression, both in its time of origin and in contemporary ,.
America.

Ensemble members have performed, studied, and taught in

Albany,

throughout

the

region,

in

other

states,

and

internationally.
In

1893,

at

the

Chicago

World's

Fair,

Americans

first

encountered the Raks al Shaks, or Oriental Dance, which came to be
known in this country as the "Belly Dance."

more ...
more •..

�Yallah/page 3

As early as 1860, European travelers to the "exotic Orient",
as it was then known, were beginning to explore the many facets of
these countries.
fascinated
girls.

with

Many of the foremost artists of the times were
what

they

found

--

in particular,

the dancing

The European travelers were delighted with the sensuous and

free-spirited dancers of Egypt.

The effects of this fascination

are still seen today!
Introduced in the United States in 1893 at the World's Fair,
and probably as an extension of the Western fascination with th e
Near East, the Oriental Dance has gained in popularity through the
years,

with many American

women

studying

it

for

enjoyment

and

exercise.
~hile undulating mo v e me nt s o f

t h e t or s o are typical of the

dance, the name "Belly Dan ce " mo re likely comes from the ••Beledy",
or village dances of Eg yp t , th an from t he move ments themselves.
you observe carefully,

If

y ou wi ll see t he dancers create rhythmic

variations with their movemen ts,

u s ing s taccato hip and shoulder.

beats, contrasted with graceful fl uid movements.

The music varies

from light and joyful to slow and sensuous, allowing the dancer to
express a wide range of emotions.
For the fifth First Night in a row, the Yallah Dance Ensemble
will alternate performances with eba's resident dance troupe.

The

Yallah performances are at 8:30 p.m., 9:30 p.m., and 10:30 p.m. at
the eba Center for Dance and Movement, 351 Hudson Avenue.
-30-

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